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Lambert had an auspicious start, taking charge of her own destiny, that set the stage for what followed.
Lambert had an auspicious start, taking charge of her own destiny, that set the stage for what followed.
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Miranda Lambert grew up singing in Texas before catching Nashville’s attention as a teenager. But she didn’t like the pop direction they tried to push her in, so she learned guitar, began writing her own songs and self-released her self-titled debut album in 2001.
Lambert’s sophomore album, and major label debut, Kerosene arrived in 2005, quickly topping Billboard’s Top Country Albums chart and eventually going platinum.
It would take one more album, 2007’s Crazy Ex-Girlfriend for Lambert to earn her first Academy of Country Music Award – for Top New Female Vocalist.
Lambert has gone on to release a number of additional solo albums, including 2020’s best-selling album Wildcard, which won the Grammy for Best Country Album. She’s also co-formed the supergroup Pistol Annies, with Ashley Monroe and Angaleena Presley, recorded the campfire collaboration The Marfa Tapes with Jack Ingram and Jon Randall.
She even become the first female artist to open her own bar in downtown Nashville, appropriately called Casa Rosa (or Pink House).
A commercial and critical success, Lambert’s gutsy attitude comes across in her tell-it-like-it-is songwriting, which has garnered Grammys, CMA Awards for Album of the Year, and led to her being named Female Vocalist of the Year at the ACM Awards more times than any other female artist.
The name-dropping ode to the female legends of the country genre was one that seemed to come about naturally, Wilson devoted to honoring the women who came before and inspired her own career.
In a response to a fan’s comment on social media, Morgan Wallen has confirmed that track 4, ‘What I Want’, from his forthcoming album I'm The Problem, will be a duet with a female artist.
The Marfa Tapes is the rawest – and some might say most real - recording you’ll get from this trio - and it's all the better for it. Its unembellished sound and scruffy methodology is a quality we don’t have enough of in today’s often excessively tweaked and overly polished fare.