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After her smash single ’Blue Strips’ that rose her to a new level of fame, Jessie Murph taps into the chaos of craving connection on ‘Sex Hysteria’ - the title track of her newly released album. It's a brooding, emotionally raw standout that fuses a minimalist EDM intro into a drama rock ballad. Murph builds an eerie sonic landscape that mirrors the disorientation of toxic love – a theme that spans across the record.
Where earlier tracks on the album wrestle with self-worth, heartbreak, and survival, ‘Sex Hysteria’ feels like the emotional peak. It’s the kind of song that doesn’t try to resolve the hurt, but rather sit in it. Which, in Murph’s world, is sometimes more powerful.
Opening with a pulsing electronic texture that feels clinical, cold, and sharp, ‘Sex Hysteria’ gradually swells into something more angsty and combustible. The production is minimalist but striking, as it's driven by boosted bass and violin slashes that crash into moments of very intentional stillness. That tension between silence and sound morphs into the craving and collapse in which lies the heart of the song.
Murph’s vocal delivery shifts from detached, quiet numbness and almost spoken-word to wide-open desperation. Her tone might even sound tired, but never weak. There’s a weight behind every line, as if she’s holding back tears - or rage - or both.
The way she uses space is just as vital as the sound. Breaths are left in and pauses stretch uncomfortably. It’s a sonic embodiment of someone spiralling and trying to explain herself mid-fall.
At its core, ‘Sex Hysteria’ is about falling into someone - not out of love, but out of loneliness. Murph doesn’t hide behind metaphors:
“I just wanted to be loved / I just wanted a damn hug.”
She’s blunt, and that’s the point. The track doesn’t glamorize self-destruction but exposes the mess of needing someone who you know is bad for you, just to feel anything all all. Lines like “I fall back into ya” repeat like a relapse, turning sex into a stand-in for safety, guilt, and dependency.
In the second verse, Murph leans into the shame spiral:
“I was supposed to be in Paris / Now I’m just embarrassed.”
She calls herself out as she unravels, and by the end, she’s drowning in both self-awareness and avoidance of change. What makes it hit harder is how aware she is of the pattern, and how powerless she feels to stop it.
It’s not just about a relationship to her - ‘Sex Hysteria’ is a true portrait of someone terrified of being alone, spiralling but self-aware enough to narrate the collapse. It’s raw, honest, and uncomfortably relatable. The title-track doesn’t just set the emotional tone for the album, it is the tone.
“A burn like peppermint
A binge like cinnamon
A spike in insulin
Acetaminophen
-
You wait in wet cement
I trip into your hands
A slow carcinogen
What a hell I’m living in
-
I just wanted to be loved
I just wanted a damn hug
Now it’s crushing my chest
And I’m trying my best
Yeah I’m trying my best
But
-
Sex hysteria
I fall back into ya
I just can’t get enough
Get enough, get enough, get enough
Uh huh
Sex hysteria
I crawl back into ya
I just can’t give it up
Give it up, give it up, give it up
Uh huh
-
I was supposed to be in Paris
Now I’m just embarrassed
Now I’m hiding on a terrace
Now you feeling like a terrorist
Now I’m drowning in awareness
That you might be aware of it
Aren’t you just embarrassed
Now I’m just fucking embarrassed
Your words, I think they might have no merit
-
I’m one to talk, that just ain’t fair
They’re coming in so loud and clear
They tell me much but I can’t hear it
What kinda shit did I inherit
I could drop it now and leave it there
But I ain’t going nowhere near it
I’ve been alone and I fucking fear it
-
Sex hysteria
I fall back into ya
I just can’t get enough
Get enough, get enough, get enough
Uh huh
Sex hysteria
I crawl back into ya
I just can’t give it up
Give it up, give it up, give it up
Uh huh
-
I fall back into ya
I fall back into ya
I fall back into ya
I fall back into ya
I fall back into ya
I fall back into ya
-
Sex hysteria”
For more on Jessie Murph, see below: